. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. -3 ^^^^^^^^^^^^^^^%=^^^^^=^^^^^^^^^^^^^^- :^V *^-*-^ ^V ^-*-^^-#- ^^•^r^V *^-*-^.-^:-^ -*^:g: *--^:g: t5>-^^*-. The correct use of the pedals is usually leftto the discretion of the player, although manycomposers indicate its use. The following signsare employed for this purpose (Ped. — ^). Apedal much less in use than the Damper pedalis the so-called Shifting pedal, usually indi-cated by the term
. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. -3 ^^^^^^^^^^^^^^^%=^^^^^=^^^^^^^^^^^^^^- :^V *^-*-^ ^V ^-*-^^-#- ^^•^r^V *^-*-^.-^:-^ -*^:g: *--^:g: t5>-^^*-. The correct use of the pedals is usually leftto the discretion of the player, although manycomposers indicate its use. The following signsare employed for this purpose (Ped. — ^). Apedal much less in use than the Damper pedalis the so-called Shifting pedal, usually indi-cated by the term una corda (in German, Mit Verschiebung ). As only one tone isset in vibration, through the use of it, the entiretonal-volume of the instrument is lessened bytwo-thirds, a result which brings about a very noticeable difference of tonal-character. Thisexcellent effect is specially well adapted for usein accompanying the voice or for imbueing aperformance with a characteristic touch of deli-cacy and sincerity. One reason why this valuable pedal is prob-ably less frequently used than the others mightbe, that the appliance is not yet attached to allPianos. As a rule it is only found with thedifferent varieties of Grand or upon expensiveUpright Pianos. Practical Manner of Arranging an Orchestral Score for
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Keywords: ., bo, bookcentury1900, bookdecade1900, bookidmodernorchestrat00klin
