. The story of Verona . ere after two or three turns to theleft rises the church of St Thomas of doorway is a fine example of Italian Gothic, andsome interesting inscriptions beside it relate how thepiety of two women of the Stagnolo family contributedtowards the work of the fagade. Inside the churchare some frescoes by Brusasorci; and before the altarof Sta. Maria Maddalena lie the mortal remains of thearchitect San Micheli, to whom Verona owes so much,and whose work, though so pre-eminently famed forfortified buildings and all relating to military construc-tions, is admirable
. The story of Verona . ere after two or three turns to theleft rises the church of St Thomas of doorway is a fine example of Italian Gothic, andsome interesting inscriptions beside it relate how thepiety of two women of the Stagnolo family contributedtowards the work of the fagade. Inside the churchare some frescoes by Brusasorci; and before the altarof Sta. Maria Maddalena lie the mortal remains of thearchitect San Micheli, to whom Verona owes so much,and whose work, though so pre-eminently famed forfortified buildings and all relating to military construc-tions, is admirable in secular and ecclesiastical edificesas well. Wandering through this part of Verona the eye isoften arrested by frescoed palaces and houses of markedarchitectural beauty and merit, among them being theCasa Barbarani; the Seminario Vescovile; and otherhouses belonging to private individuals. In the Via224 Giardino Glusti Giardino Giusti stands the Palazzo Giusti, a handsomeblock of masonry, decorated externally by Paolo. «fS-
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Keywords: ., bookcentury1900, bookdecade1900, booki, bookpublisherlondonjmdent
