. A catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, held in the Grafton Galleries, London (1909-1910) . ndscape background. B. Berenson : Venetian Painting at the New Gallery, 1895, p. 19; andStudy and Criticism of Italian Art, ist Series, 1901. Wood. 20 in. X 15 in. ( ). Formerly in the Collection of K. R. Leyland, May 28, 1892, No. 107, asa work by Niccoli Giolfino. Exhibited at the New Gallery, 1894-5, No. 167. Lent by R. H. Benson, Elsq. Q 121 80MORETTO: 1498-1555 School of B?esciaPIETA: or, lamentation OVER THE DEAD CHRI
. A catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, held in the Grafton Galleries, London (1909-1910) . ndscape background. B. Berenson : Venetian Painting at the New Gallery, 1895, p. 19; andStudy and Criticism of Italian Art, ist Series, 1901. Wood. 20 in. X 15 in. ( ). Formerly in the Collection of K. R. Leyland, May 28, 1892, No. 107, asa work by Niccoli Giolfino. Exhibited at the New Gallery, 1894-5, No. 167. Lent by R. H. Benson, Elsq. Q 121 80MORETTO: 1498-1555 School of B?esciaPIETA: or, lamentation OVER THE DEAD CHRIST THE figure of Christ is seen upright, at full length, and supportedby the Virgin and St. John ; the legs are clasped by MaryMagdalene, who is seated in the foreground. The marble tomb isplaced at the foot of the rock, and a landscape background is seento the left. fVooc/. 68 ill. X 38 in. ( x ). From Lord Egremonts Collection. An early work by Bonvicino, called II Moretto. Arundel Club Portfolio, 1904, No. 10. B. Berenson : North Italian Painters of the Renaissance, I907) P- 265. Not previously exhibited. Lent by Sir Frederick Cook, Bart. 122. 81GIORGIONE: 1477(?).1510 Venetian SchoolHOLY FAMILY SMALL full-length figures of St, Joseph and the Virgin, the latterwith the Child on her lap ; through the arched window atthe back on the right a landscape, and an evening sky. Even more Giorgionesque in outward characteristics, as, for instance, inthe drapery and colouring, although by no means so close to Giorgione inquality of magic, is Mrs. Bensons small Holy Family (No. 148, attributedto Giorgione). The type of the Virgin is thoroughly Catenesque—although thelarge sweep of the draperies recalls Giorgione.—B. Berenson : Venetian Paintingat the Ne-do Gallery, 1895, P- 3-5 ^•^ reproduced in the same authors Siuiiy andCriticism of Italian Art, ist Series, 1901, p. 133. IVood. 13J in. X 17 in. (). Exhibited at the New Gallery, 1894-5, No. 148; also shown at
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