The architectural history of the University of Cambridge, and of the colleges of Cambridge and Eton . h other. This disposition of the windows,which we find also in the gallery at Haddon Hall, appears tohave been the usual arrangement employed in the galleries ofthe sixteenth century, and it was insisted upon by the greatFrench architect Philibert De Lorme: It will be better, hesays, and have a handsomer effect, if the windows of the twosides of a room be not set opposite to each other-; for, if theybe so, there will always be shadows and obscurities producedbetween the said windows, so as to
The architectural history of the University of Cambridge, and of the colleges of Cambridge and Eton . h other. This disposition of the windows,which we find also in the gallery at Haddon Hall, appears tohave been the usual arrangement employed in the galleries ofthe sixteenth century, and it was insisted upon by the greatFrench architect Philibert De Lorme: It will be better, hesays, and have a handsomer effect, if the windows of the twosides of a room be not set opposite to each other-; for, if theybe so, there will always be shadows and obscurities producedbetween the said windows, so as to make the rooms gloomy1. 1 [NOVVELLES INVENTIONS POVR BIEN BASTIR ET A PETITS FRAIX, TROVVEES nagueres par Philibert de Lorme Lyonnois, Architecte, Conseiller et Aulmonier ordi-naire du feu Roy Henry, et Abbe de S. Eloy lez Noyon. fol. Paris. 1561. BookII. Chap. xi. fol. 52 b. The chapter is headed: Comme on doit faire les fenestrescroisees plus hautes que la naissance des poutres, a fin de donner meilleure clarte ouplus de iour dedans les lambriz. After describing the construction of the windows,. Fig. i. Plan of the first floor of the Presidents Lodge at Queens College. The letters referto the description of the Lodge given in the History of Queens College, Chapter iv. 342 THE MASTERS LODGE. As an illustration he refers to his building of the Chateau deSaint Maur des Fosses near Paris, the first example in Francewhich shewed how to observe the proportions and measures ofArchitecture; the Salle and Gallery of the Chateau dAnet; thegrande gallerie which he made at Saint Ligier, and many others. The inside of the court of Saint Maur is given by Du has coupled Corinthian pilasters carrying an entablature witha high attic order like that of a triumphal arch, a portal in thecentre with columns, and a pediment above the attic. Thewindows are placed in the alternate intercolumniations, sothat each pair on one side of the apartment has a window oppo-site to it on the other.
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