Catalogue of the Ehrich Galleries collection of valuable paintings : by the masters of the classic Italian, Dutch, Flemish, English, Spanish, and French schools . rk old rose of the robe and thepeculiar shade of the cloak—a masterpiece! From the Le Brun collection. On canvas; height, 50 inches; width, 40 inches. 1 42 DANIEL HARINGH Dutch School 1636-1706 Haringh was principally a portrait-painter, and highly dis-tinguished in his day. He painted, as shown by the present exam-ple, very much in the manner of Gaspard Netscher. MOTHER AND DAUGHTER Window portrait in the style of Gaspard Netscher o
Catalogue of the Ehrich Galleries collection of valuable paintings : by the masters of the classic Italian, Dutch, Flemish, English, Spanish, and French schools . rk old rose of the robe and thepeculiar shade of the cloak—a masterpiece! From the Le Brun collection. On canvas; height, 50 inches; width, 40 inches. 1 42 DANIEL HARINGH Dutch School 1636-1706 Haringh was principally a portrait-painter, and highly dis-tinguished in his day. He painted, as shown by the present exam-ple, very much in the manner of Gaspard Netscher. MOTHER AND DAUGHTER Window portrait in the style of Gaspard Netscher of a noblelady and daughter, spaniel, etc., arranging flowers on a Persiancarpet which hangs over the window-sill. The occasion may besome public procession when rugs were hung from the windowsand ladies appeared surrounded by flowers. Firm, somewhathard drawing, strong full colors of gowns, rug and flowers, formaland elegant pose of mother and daughter as if in loge at theopera. A thoroughly enjoyable piece in the formal style. Signed on left ledge of window: D. Haringh. On canvas; height, 27y2 inches; width, 22*4 inches. z -0 o 2< - faO w- :-. 0 2 43 WILLIAM HOGARTH English School1697-1764 Hogarth, the son of a schoolmaster, copper-plate engraver,book-illustrator, and finally artist, is now recognized as the firstman of genius in the native British school. His series of whatmight be called pictures with a moral are known to all. Hepainted his own honest face a number of times, in which thejovial serio-comic character of the man is well expressed. PORTRAIT OF HIMSELF The close set mouth, sharply outlined nose and keen glanceof the first of British caricaturists bespeak the character of theman, although we may suppose that the expression on his face wascaught from the mirror into which he glanced as he laid on thepaint. The firm, rather coarse, brushwork, the dull white of thelinen collar, the bold simplicity of the blue velvet painters capand the reddish-brown dressing-gow
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Keywords: ., bookcentury1900, bookdecade1900, bookidmast, bookpublishernewyork
