Maharana Jagat Singh Attending the Raslila, 1736. Attributed to Jai Ram (Indian), and/or Jiva (Indian). Opaque watercolor, gold, and silver on paper; sheet: x 49 cm (26 9/16 x 19 5/16 in.). To celebrate the New Year festival of Diwali, dancers reenact the life story of the Hindu god Krishna in a palace courtyard by candlelight under the full moon. The king, a vassal of the Mughal emperor, sits with the halo of divine sanction for his rule at the left of the courtyard, smoking from a golden goat-shaped hookah, with his young son and heir at his side. At the top of the composition, a dance
Maharana Jagat Singh Attending the Raslila, 1736. Attributed to Jai Ram (Indian), and/or Jiva (Indian). Opaque watercolor, gold, and silver on paper; sheet: x 49 cm (26 9/16 x 19 5/16 in.). To celebrate the New Year festival of Diwali, dancers reenact the life story of the Hindu god Krishna in a palace courtyard by candlelight under the full moon. The king, a vassal of the Mughal emperor, sits with the halo of divine sanction for his rule at the left of the courtyard, smoking from a golden goat-shaped hookah, with his young son and heir at his side. At the top of the composition, a dancer dressed in blue with a peacock-feather crown plays the part of Krishna. In the upper right corner, a canopy painted with swirling storm clouds stands for the rainstorm sent by the jealous king of the gods, who is shown in the middle of the canopy with his consort and mount, the elephant with seven trunks. Guards and grooms in the foreground entertain themselves with music while they wait with the horses of visiting nobles. The formal geometric gardens, playful use of perspective, and individualized portraiture indicate the selective adoption of the styles and sensibilities of the imperial Mughal court in the paintings from this large-format series.
Size: 2630px × 3400px
Photo credit: © CMA/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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