. Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics. 4, 144,page 205, and 220, page 392. A modern development of this may be noticedin Fig. 24, page 52, while one l)uilding in Fig. 190, page 343, and thetower in Fig. 193, page 346, show characteristics both of the pointed andlater styles. Perpendicular Gothic, developed, soon, into the florid and alsoTudor, is well illustrated in Fig. 234, page 404, and by the window only inFig- 43. page 84. Notice also Figs. 13, page 36; 198, page 351 ; and 206,page, 369. The more debased Elizabethan style used
. Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics. 4, 144,page 205, and 220, page 392. A modern development of this may be noticedin Fig. 24, page 52, while one l)uilding in Fig. 190, page 343, and thetower in Fig. 193, page 346, show characteristics both of the pointed andlater styles. Perpendicular Gothic, developed, soon, into the florid and alsoTudor, is well illustrated in Fig. 234, page 404, and by the window only inFig- 43. page 84. Notice also Figs. 13, page 36; 198, page 351 ; and 206,page, 369. The more debased Elizabethan style used mainly in non-ecclesi-astical buildings, may be seen in Fig. 197, page 350 ; and modern Gothic inFigs. 204, page 367, and 205, page 368. The Davidian Indian style is illus-trated in Figs. 232, page 400, and 233, page 401, and the most characteristicphase of the Oriental in Fig. 2ti, page 377. REPRESENTATION OF MATERIAL SURROUNDINGS. 381 ings with arched roofs than the Greeks could do withtheir wooden beams. Among these arched buildings thehalls of justice (basilicas) became important, as is well. FIQ. 213.—KAFFIR STATION, pages 377, 378, 3S4. known, for the subsequent development of arched roof made the circular arch the chief principlein division and decoration for Roman (Byzantine) columns, pressed by heavy weights, were transformed 382 PAINTING, SCULPTURE, AND ARCHITECTURE. into pillars on which, after the style was fully developed,CDJumns merely appeared in diminished forms, half sunkin the mass of the pillar, as merely decorative articulationsand as the downward continuations of the ribs of thearches, which radiated towards the ceiling from the upperend of the pillar. In the arch, the wedge-shaped stonespress against each other, but, as they all press inwards,each one prevents the other from falling. The most power-*ful and most dangerous degree of pressure is exerted bythe stones in the horizontal parts of the arch, where theyhave eit
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