Rosalind, Celia & Touchstone (Shakespeare, As You Like It, Act 2, Scene 2) June 1, 1792 John Chapman Bunbury's "Shakespeare" consisted of twenty-prints published between 1792 and 1797, issued periodically in sets of four. The publisher Thomas Macklin was inspired by the success of Boydell's Shakespeare Gallery to open a rival Poets Gallery in 1787. He then commissioned a set of large watercolors from Bunbury of comic Shakesperean subjects with related prints issued by subscription. The artist was the younger son in an old gentry family who had amused fellow students with comic drawings at West

Rosalind, Celia & Touchstone (Shakespeare, As You Like It, Act 2, Scene 2) June 1, 1792 John Chapman Bunbury's "Shakespeare" consisted of twenty-prints published between 1792 and 1797, issued periodically in sets of four. The publisher Thomas Macklin was inspired by the success of Boydell's Shakespeare Gallery to open a rival Poets Gallery in 1787. He then commissioned a set of large watercolors from Bunbury of comic Shakesperean subjects with related prints issued by subscription. The artist was the younger son in an old gentry family who had amused fellow students with comic drawings at Westminster School in London, then at Cambridge University. He became a friend of Thomas Rowlandson, who etched many Bunbury designs. Most of Bunbury's income came, however, from army positions and the patronage of the Duke of York, whom he served as equerry. The Shakespeare series of watercolors rank among the artist's most ambitious and soon belonged to the Duchess of York. John Chapman, a follower of Francesco Bartolozzi, produced this stipple engraving which shows Touchstone, the fool in “As You Like It,” exiled from court with Rosalind and Celia and just arrived in the Forest of Rosalind, Celia & Touchstone (Shakespeare, As You Like It, Act 2, Scene 2). Macklin's Shakespeare. After Henry William Bunbury (British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland). June 1, 1792. Stipple engraving and etching. Thomas Macklin (British, 1752/53–1800 London). John Chapman (British, active 1792–1823). Prints

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