The antique Greek dance, after sculptured and painted figures . Fig. 40- Fig. 41. 45 compare with Figs. 28 and 29 and correspond with differentmoments of the period of suspension (69). THE BUN 49 81. Figs. 46 and 47 show the sixth and last type of runner andthe one with which we are most familiar. It is identical with thatof the Renaissance; and is theone generally adopted. Therunner rests his weight on theleg in front, which has the kneebent: the other leg, sharplybent at the knee, is lifted highand backward. Comparison withFig. 2 in Fig. 26 justifies thereconstruction of the sh
The antique Greek dance, after sculptured and painted figures . Fig. 40- Fig. 41. 45 compare with Figs. 28 and 29 and correspond with differentmoments of the period of suspension (69). THE BUN 49 81. Figs. 46 and 47 show the sixth and last type of runner andthe one with which we are most familiar. It is identical with thatof the Renaissance; and is theone generally adopted. Therunner rests his weight on theleg in front, which has the kneebent: the other leg, sharplybent at the knee, is lifted highand backward. Comparison withFig. 2 in Fig. 26 justifies thereconstruction of the show how lightly the toe touches the ground. Artists use this
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Keywords: ., bookcentury1900, bookdecade1910, bookpublisherl, booksubjectdance
