. Keramic studio. PLATE BORDERS (Prob. 4)—MISS KASPERST. LOUIS SCHOOL OF FINE ARTS (Treatments page 146) 154 RERAMIC STUDIO ROUND TEA TILE Mrs. Bullivant TRACE design in with India Ink. Oil darkest part withFrys Special Oil and dust (when nearly dry) with threeparts Grey Green, one-half part Brown Green and two partsPearl Grey. Clean this carefully, then oil next tone and dustwith two parts Grey Green, three parts Ivory Glaze and alittle Pearl Grey. Clean all the design and fire. Second Fire—Oil background in four sections and dustwith one part Neutral Yellow, two parts Ivory Glaze and one-fif
. Keramic studio. PLATE BORDERS (Prob. 4)—MISS KASPERST. LOUIS SCHOOL OF FINE ARTS (Treatments page 146) 154 RERAMIC STUDIO ROUND TEA TILE Mrs. Bullivant TRACE design in with India Ink. Oil darkest part withFrys Special Oil and dust (when nearly dry) with threeparts Grey Green, one-half part Brown Green and two partsPearl Grey. Clean this carefully, then oil next tone and dustwith two parts Grey Green, three parts Ivory Glaze and alittle Pearl Grey. Clean all the design and fire. Second Fire—Oil background in four sections and dustwith one part Neutral Yellow, two parts Ivory Glaze and one-fifth of a part Ruby. Clean out all the palest tones in differentparts of the design and tint these with a little Lemon Yellowand Yellow Brown till a pure cream tone. If afraid to lay infirst two colors at same time, give it three fires, rather than tryto do it in two fires. ROSE JAR Lucile Pilcher TRACE design carefully in gold and Fire—Oil the darkest part beingthe band on jar, at the narrow place
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