Man admires itself and is blind to the Trinity way of salvation of man (series title) Two biblical allegories in architectural frame. Left looking at the man, dressed in habit, rosary in hand, in the mirror, in the delusion that will reward good work. The three crowns symbolize left this reward. On the wall shackles of self-flagellation and indulgences with papal seals. Human right is over, above him the Trinity, who befriends the blind man. In addition to the Man the personification of human ingenuity. Under both performances a four-line verse in Low German and a four-line text in Latin. Numb
Man admires itself and is blind to the Trinity way of salvation of man (series title) Two biblical allegories in architectural frame. Left looking at the man, dressed in habit, rosary in hand, in the mirror, in the delusion that will reward good work. The three crowns symbolize left this reward. On the wall shackles of self-flagellation and indulgences with papal seals. Human right is over, above him the Trinity, who befriends the blind man. In addition to the Man the personification of human ingenuity. Under both performances a four-line verse in Low German and a four-line text in Latin. Number 11 and 12 from a reformatory series about the sinfulness and justify mens. Manufacturer : printmaker French Huys to design: Gerard van Groeningen Place manufacture: Antwerp Date: 1546 - 1562 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate edge : h 274 mm × W 363 mmToelichtingDe iconography of this print is based on Monogrammist NG. Image: Scribner, Robert William. For the sake of simple folk: popular propaganda for the German Reformation. Cambridge [etc.]: Cambridge University Press, 1981. Subject: looking in the mirror; contemplation or beauty trinity own axis three-person intellect, Intelligence; "Intelletto '' Intelligenza '(Ripa) doctrine on original sin, and Redemption
Size: 1820px × 1372px
Photo credit: © Art World / Alamy / Afripics
License: Licensed
Model Released: No
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