. Orchestration . 1For a somewhat similar but quite effective passage, see the 1st Entr Acte to two Bassoons begin Solo in unison, and a little later the Clarinet has a tune againsta descending chromatic passage for Bassoon. 244 ORCHESTRATION Beethoven, who loved to put in tiny passages for the Bassoon in itsmiddle and top registers, always took care to give the instrument itsfreedom in this respect. Here is one such example from the Rondo ofhis Violin Concerto: EXAMPLE 170. Allegro Bassoon. Horns in D. Violin Solo. 1st & 2ndViolins. Violas. Cello9 and (sounding an oc
. Orchestration . 1For a somewhat similar but quite effective passage, see the 1st Entr Acte to two Bassoons begin Solo in unison, and a little later the Clarinet has a tune againsta descending chromatic passage for Bassoon. 244 ORCHESTRATION Beethoven, who loved to put in tiny passages for the Bassoon in itsmiddle and top registers, always took care to give the instrument itsfreedom in this respect. Here is one such example from the Rondo ofhis Violin Concerto: EXAMPLE 170. Allegro Bassoon. Horns in D. Violin Solo. 1st & 2ndViolins. Violas. Cello9 and (sounding an octave lower.). frrrfrfrfrfr
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Keywords: ., bookcentury1900, bookdecade1910, booksubjectinstrumentationandor
