. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. -minous tone can be produced. Contrary to this,if a soft and pleasing tone, smooth rendition ofpassages, and delicacy in melodic work is to beproduced, the bow must be applied at a dis-tance from the bridge. Opposite effects areproduced by drawing the bow near to, or at adistance from the bridge. Sul ponticello (very near to the bridge) bow-ing, with very light pressure of the bow, pro-duces a whistl
. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. -minous tone can be produced. Contrary to this,if a soft and pleasing tone, smooth rendition ofpassages, and delicacy in melodic work is to beproduced, the bow must be applied at a dis-tance from the bridge. Opposite effects areproduced by drawing the bow near to, or at adistance from the bridge. Sul ponticello (very near to the bridge) bow-ing, with very light pressure of the bow, pro-duces a whistling and nasal tone, which canbe used to good advantage for bringing aboutspecial effects. With the opposite bowing, Sulla tastiera (abovethe finger-board), soft and flute-like tones areproduced. The flautato (or strascinatd) bowingis produced by applying the bow at its tip aboutan inch away from the end of the finger oard ;it must be drawn very delicately and evenly, andevery note should be slightly extended. Thisbowing, with its flute-like effect, can be producedto best advantage in the middle of the D and Astring. Detached Bowing. Executed with long strokes,according to the tempo. ^^:^^m. KLINGS MODERN INSTRUMENTATION AND ORCHESTRATION. Hammered Bowing. Executed at the nut ofthe bow, in a short and decided manner. ffry ^ l-f ? i> b §mm^mm^i f- ^ ^ Staccato Bowing. Executed in one stroke. =&=?=* ^ii|g|i^i^B Light Staccato Bowing. Usually executed withthe up-stroke, the bow rebounding from thestrings after each note in a light and elasticmanner. g|pgg:^*Mil^i£fc.: imm^^ Light Rebounding Strokes. The bow rebound-ing from the strings in an exceedingly lightmanner. V eF^^^I^^Imodernorchestrat00klin
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