. Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use. dish. Renascence. 7— 8. Decoration of clock panel, French Renascence, Louis XllIstyle, (Li^vre). 9—10, Panels of door, Otto-Heinrich portion of the Castle, Heidel-berg, German Renascence, (P&or). Plate 72. The Trophy. 1. Panel, tomb of Galeazzo Pandono, San Domenico maggioraNaples, Italian Renascence, (Schiitz). 2. Part of Panel, Italian Renascence. 3. Part of Panel of a stall, Dordtrecht, Dutch Renascence. 4. Pedestal of monument to a Margrave, Pforzh
. Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use. dish. Renascence. 7— 8. Decoration of clock panel, French Renascence, Louis XllIstyle, (Li^vre). 9—10, Panels of door, Otto-Heinrich portion of the Castle, Heidel-berg, German Renascence, (P&or). Plate 72. The Trophy. 1. Panel, tomb of Galeazzo Pandono, San Domenico maggioraNaples, Italian Renascence, (Schiitz). 2. Part of Panel, Italian Renascence. 3. Part of Panel of a stall, Dordtrecht, Dutch Renascence. 4. Pedestal of monument to a Margrave, Pforzheim, by Hansvon Trarbaeh, German Renascence. 5—6. Panels, Quay front, Tuileries, Paris, (Baldus). 7. Part of design for a monument, by J. Ch. Delafosse. The Symbol. (Plates 73—77.) The grouping of tools and instruments, to symbolise some specialidea, leads to the design of Symbols. Thus we find, disregardingthose of war and hunting, which we have treated of as trophies,Symbols of art, both of Art in general and of the special arts:Music, Painting, Sculpture, Architecture, &c.; Symbols of Science, 11-2 ARTIFICIAL Plate 71 The Trophy. ARTIFICIAL OBJECTS. 113
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectdecorationandornamen
