. The mythology of all races. jo-bo appears here as a furious spirit hoveringamong dark clouds. A coronet on his head is likethat worn by the mountaineering priests; he has apilgrims staff, instead of the fan of feathers; hisrobes are those of regular Buddhist monks. The littleTengu are here represented as birds. See p. 309. By Donshu, of the modern Kyoto School, dated1852. In possession of Museum of Fine Arts,Boston. Thunder and Wind See p. Kyosai (died 18S9). In possession of Museumof Fine Arts, Boston. Yama-uba, THE Mountain-Woman, and HerSon Kintaro, the Child of Nature The Mountain


. The mythology of all races. jo-bo appears here as a furious spirit hoveringamong dark clouds. A coronet on his head is likethat worn by the mountaineering priests; he has apilgrims staff, instead of the fan of feathers; hisrobes are those of regular Buddhist monks. The littleTengu are here represented as birds. See p. 309. By Donshu, of the modern Kyoto School, dated1852. In possession of Museum of Fine Arts,Boston. Thunder and Wind See p. Kyosai (died 18S9). In possession of Museumof Fine Arts, Boston. Yama-uba, THE Mountain-Woman, and HerSon Kintaro, the Child of Nature The Mountain-Woman appears here as a fearfulwoman of the mountain, wearing variegated but?worn-out robes, with fruits in a basket. Her son,Kintaro, is represented in red colour, therefore darkin the reproduction. See pp. 289 ff. Taken from the Kokka, in a private collectionin Osaka. A duplicate of the same picture executedon a wooden plate is in the galleries of Rosetsu, an unruly disciple of the realist Okyo(died 1799).. jm; ^i^M^


Size: 1468px × 1701px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No

Keywords: ., bookauthor, bookcentury1900, bookdecade1910, booksubjectmythology