samuel rogers house green park London UK 1763 1855) English poet. London. Nonconformist Presbyterian ministry, banker English li
Samuel Rogers (30 July 1763 - 18 December 1855) was an English poet. Rogers was born at Newington Green, London. His father, Thomas Rogers, a banker, was the son of a Stourbridge glass manufacturer, who was also a merchant in Cheapside. Thomas married Mary, the only daughter of his father's partner, Daniel Radford, becoming himself a partner shortly afterwards. On his mother's side Samuel Rogers was connected with the two well-known Nonconformist clergymen, Philip and Matthew Henry, and was brought up in Nonconformist circles. He was educated at private schools at Hackney and Stoke Newington. He wished to enter the Presbyterian ministry, but his father persuaded him to join the banking business in Cornhill. In long holidays, necessitated by delicate health, Rogers became interested in English literature, particularly the work of Samuel Johnson, Thomas Gray and Oliver Goldsmith. He learned Gray's poems by heart, and his family wealth allowed him to leisure to try writing poetry himself. He began with contributions to the Gentleman's Magazine, and in 1786 he published a volume containing some imitations of Goldsmith and an "Ode to Superstition" in the style of Gray. In 1788 his elder brother Thomas died, and Samuel's business responsibilities were increased. In the next year he paid a visit to Scotland, where he met Adam Smith, Henry Mackenzie, Hester Thrale (later Mrs. Piozzi) and others. In 1791 he was in Paris, and enjoyed the art collection of Philippe Egalité at the Palais Royal, many of the treasures of which were later to pass into his possession. With Gray as his model, Rogers took great pains in polishing his verses, and six years elapsed after the publication of his first volume before he printed his elaborate poem on The Pleasures of Memory (1792) — regarded by some as the last embodiment of the poetic diction of the 18th century. The theory of elevating and refining familiar themes by abstract treatment and lofty imagery is taken to extremes. In t
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