. International studio. t insteado f by pigment, areluminous and thusheighten the abstracteffect. In consequence,the mobile designs become i nee r hack. Iution, ition, in i urning, \\ incl-nginnumerable In ncla-e n t s u huh lip i I a c i n a ti o n to t h elile designs as the\de\ elop before Tli i eral terms are both vague andabrupt compared to theactual compositionsthey are intended tointerprei. N>mU\ at-tain in the expression olmotion with its in<hie echo in our emo-tions. For, at best,painting is a static re-sult and however un-balanced the mas-,., m HERE IS A FIGURE PREPARING THROUG
. International studio. t insteado f by pigment, areluminous and thusheighten the abstracteffect. In consequence,the mobile designs become i nee r hack. Iution, ition, in i urning, \\ incl-nginnumerable In ncla-e n t s u huh lip i I a c i n a ti o n to t h elile designs as the\de\ elop before Tli i eral terms are both vague andabrupt compared to theactual compositionsthey are intended tointerprei. N>mU\ at-tain in the expression olmotion with its in<hie echo in our emo-tions. For, at best,painting is a static re-sult and however un-balanced the mas-,., m HERE IS A FIGURE PREPARING THROUGH ITS . ? i RHYTHMIC MOTION AND CHANGE IN LIGHT painting be III ordcrAND COLOR TO DEVELOP INTO A FORM OF tO SUggeSt motion, tllf pictUICGREATER UNITY, JOINING ITS SCATTEREDLIGHT AND LINE INTO A MORECONCENTRATED POWER. :eomesuggestive in strange ways of , . r , , GREATER UNITY, JOINING ITS SCATTERED many beautiful phenomena, LIGHT AND LINE INTO A MORE remains fixed at preciseij either because of a similarity of concentrated power one moment of an extended color effect or, more often, because of a similarity action. The progression possible b\ means ol of rhythm and movement in the basic forms. Thus moving pictures has, of course, completely effaced we may have fleeting visions, or rather fleeting recol- this difficulty. But mining pictures have been lections, of an eclipse, a comet, visions of icebergs or concerned, thus far at any rate, with a literal again of great fires, beautiful changes, as of chemi- apprehension of things, so that, in effect, they have cals reacting upon each other; ethereal effects of merely tended to completethe work ol the camera swaying, gossamer, cloud-like forms; of motions by overcoming the static nature ol a single that remind us of elemental things—of breathing, pic
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
