The antique Greek dance, after sculptured and painted figures . Fig. 458. Fig. 459. No. 12: the left leg descends to position. The head and torsoapproach the perpendicular. No. 13: the heel of the right foot is lifted: the leg begins theseparation. No. 14: the same moment as No. 9 and Fig. 466. The rightleg is separated in IV crossed. The course of the Step iscomplete. 321. This strange figure executes a Jete crossed. The leftleg crosses on the right leg during the moment of suspension(222). Figs. 470-473: two essential moments of the Step, opposed (279).Fig. 471 is a reconstruction based on t
The antique Greek dance, after sculptured and painted figures . Fig. 458. Fig. 459. No. 12: the left leg descends to position. The head and torsoapproach the perpendicular. No. 13: the heel of the right foot is lifted: the leg begins theseparation. No. 14: the same moment as No. 9 and Fig. 466. The rightleg is separated in IV crossed. The course of the Step iscomplete. 321. This strange figure executes a Jete crossed. The leftleg crosses on the right leg during the moment of suspension(222). Figs. 470-473: two essential moments of the Step, opposed (279).Fig. 471 is a reconstruction based on the preceding observations(280, 298). Figs. 472-473: two moments of another Step, opposed. Fig. 186 RECONSTRUCTION OP TEMPOS AND STEPS 473 is a reconstruction (280, 298). The same is to be said of the tiny dancer (195) who executes the Circleswith the legs, alternating the right and 474: this dancer exaggerates thebending of the torso while making a move-ment with the legs which would require anerect position. The figure sways the bodyhack and forth
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Keywords: ., bookcentury1900, bookdecade1910, bookpublisherl, booksubjectdance
