. Studio international . SM WBY EMILE ZOIR E fCHING Studio-Talk. R DO 1IAMKAI- (ET( HING the twilight when all is still— these and kindred5 recur rime after rim< in his plates and onThe sombre note is occasionally and sometimeol light mal discover his intentions ; but his work as a whole shows that theartist is endowed with a fertile imaginationrj and. b lurgpient i im • art, whose influence hasbeen felt in all the coun-tries of Europe, shouldhave been unrepresentedthere. As M. Hobe haswritten in LArt Mod-erne, Now or neverwas the moment to appealto the public for a verdictupon our work. I
. Studio international . SM WBY EMILE ZOIR E fCHING Studio-Talk. R DO 1IAMKAI- (ET( HING the twilight when all is still— these and kindred5 recur rime after rim< in his plates and onThe sombre note is occasionally and sometimeol light mal discover his intentions ; but his work as a whole shows that theartist is endowed with a fertile imaginationrj and. b lurgpient i im • art, whose influence hasbeen felt in all the coun-tries of Europe, shouldhave been unrepresentedthere. As M. Hobe haswritten in LArt Mod-erne, Now or neverwas the moment to appealto the public for a verdictupon our work. I grantthat the authorities haverather looked askance atthe products of our brains,and so far have not en-trusted to us the elabo-ration of plans for publicworks and buildings whichare destined to form permanent records of theirday. But here we had aunique occasion to makea display of our talent,and even had the resultbeen disastrous, if it isd true that our work is destined to have butan ephemera] existence, the evil could not havebeen permanent or lasting,
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