Lazio Viterbo Ronciglione Ss. Pietro e Caterina6. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi (1671-1695), and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of the Assumption by Francesco Tr
Lazio Viterbo Ronciglione Ss. Pietro e Caterina6. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi (1671-1695), and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of the Assumption by Francesco Trevisani. Also in the transept is the altar of the Madonna of the Rosary, by Giuseppe Ghezzi. Above the main altar is a painting of the Madonna and Child with saints, a work of the school of Giulio Romano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Photo credit: © piemags/GB24 / Alamy / Afripics
License: Licensed
Model Released: No
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