Ten weepers from the tomb of Isabella of Bourbon, Borman workshop (attributed to), Renier van Thienen (I) (attributed to), c. 1475 - c. 1476 She has placed the left leg forward. She looks tight in front of her and with her left hand holds the overflattling overflowing downwards, so that the undercocking appears. The overlay shows a raised collar, which is closed with a knot. She also wears a cloak, tied up on the chest by a tire. Both hanging ends of the cloak have been beaten over the arms. On the hair with braids a hood with a veil falling backwards; A cord with pendant around the neck. Brus
Ten weepers from the tomb of Isabella of Bourbon, Borman workshop (attributed to), Renier van Thienen (I) (attributed to), c. 1475 - c. 1476 She has placed the left leg forward. She looks tight in front of her and with her left hand holds the overflattling overflowing downwards, so that the undercocking appears. The overlay shows a raised collar, which is closed with a knot. She also wears a cloak, tied up on the chest by a tire. Both hanging ends of the cloak have been beaten over the arms. On the hair with braids a hood with a veil falling backwards; A cord with pendant around the neck. Brussels bronze (metal) casting She has placed the left leg forward. She looks tight in front of her and with her left hand holds the overflattling overflowing downwards, so that the undercocking appears. The overlay shows a raised collar, which is closed with a knot. She also wears a cloak, tied up on the chest by a tire. Both hanging ends of the cloak have been beaten over the arms. On the hair with braids a hood with a veil falling backwards; A cord with pendant around the neck. Brussels bronze (metal) casting
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Photo credit: © piemags/rmn / Alamy / Afripics
License: Licensed
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