. Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use. The Cross. Plate 109. 174 FREE Plate 110. The Cross. The Cross. — The Finial. 175 of form on Utensils and Vessels, onRobes and Garments, on Carpetsand Banners dedicated to religious uses; in Heraldry, and as a Freeornament to form the upper ornamental finial of Architecture. InChristian architecture: the Cross is used as a finial on Steeples andGables, on Tombs, Pulpits, &c. Often it is employed alone, as amonument, (Tomb, wayside and votiv
. Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use. The Cross. Plate 109. 174 FREE Plate 110. The Cross. The Cross. — The Finial. 175 of form on Utensils and Vessels, onRobes and Garments, on Carpetsand Banners dedicated to religious uses; in Heraldry, and as a Freeornament to form the upper ornamental finial of Architecture. InChristian architecture: the Cross is used as a finial on Steeples andGables, on Tombs, Pulpits, &c. Often it is employed alone, as amonument, (Tomb, wayside and votive crosses). Plate 109. The Cross: in Stone. 1. Modern French, Charterhouse Glandier, (Raguenet). 2. Modern. 3. Modern French, with the Monogram of Christ, Genouilleux, (Ra-guenet). 4. Gable of a church, St. Urbans, Unterlimburg, Schwabisch-Hall. 5. Tomb, churchyard, Baret, 11th century. 6. Modern French, F^re-Lachaise, Paris, (Raguenet). 7. Steeple, St, Pierre, Montrouge, Paris, (Raguenet). 8. Tomb, St. Lazare, Montpellier, (Raguenet). 9. Granite, Tomb, Becon, (Raguenet). The Cross in Metal. (Plate 110.) Wrought-iron, and, in late years, cast-iron and zinc, are sometimesuse
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectdecorationandornamen
