. Thackerayana;. She wears very little covering on her person,and none on her arms of any kind (shifts beinglong exploded), except sleeves of the finest cam-bric, unlined and travaille au jour, which reachonly half way from the shoulder to the seems to consider it a duty to shiver inthis thin attire, for she said to Lady Carysfort, Ah, Miledi, que vous etes heureuse, vous portezdes poches et des jupes / I conversed chiefly withBeurnonville and Pignatelli. Beurnonville says, Mo?i secretaire est pour les affaires, mon aide-de-camp pour les dames, et moi pour la represent-ation. The peo
. Thackerayana;. She wears very little covering on her person,and none on her arms of any kind (shifts beinglong exploded), except sleeves of the finest cam-bric, unlined and travaille au jour, which reachonly half way from the shoulder to the seems to consider it a duty to shiver inthis thin attire, for she said to Lady Carysfort, Ah, Miledi, que vous etes heureuse, vous portezdes poches et des jupes / I conversed chiefly withBeurnonville and Pignatelli. Beurnonville says, Mo?i secretaire est pour les affaires, mon aide-de-camp pour les dames, et moi pour la represent-ation. The people about him are conscioushe is peu de chose, but say, Qiiimporte ? on estsi bon en Prusse, et si Men dispose pour person asked Vaudreuil, aide-de-camp toBeurnonville, if the latter was a ci-devant. Non,dit- il, mats il voudroit Fetre —a reply of a good deal of jinesse,and plainly proving how unconquerable the respect for rank, andwish among those who have destroyed the substance to possessthe shadow. ,. i 2 16 THACKERAYANA. CHAPTER VI. Thackerays Predilections for Art—A Student in Paris—First Steps in theCareer—An Art Critic—Impressions of Turner—Introduction to MarvysEnglish Landscape Painters—Early connection with Literature—MichaelAngelo Titmarsh, a contributor to Frasers Magazine—French Caricatureunder Louis Philippe—Political Satires—A Young Artists life in Paris—Growing Sympathy with Literature—Paris Sketches. The Weimar reminiscences show how early Thackerays passionfor art had developed itself. One who knew him well affirmsthat he was originally intended for the Bar; but he had, indeed,already determined to be an artist, and for a considerable periodhe diligently followed his bent. He visited Rome, where hestayed some time, and subsequently, as we shall see, settled for aconsiderable time in Paris, where, says a writer in the Edin-burgh Review for January 1848, we well remember, ten ortwelve years ago, finding him, day after day, engag
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