The arts and crafts of our Teutonic forefathers . 1 lb 113. FROM SACKKAU, WITHGRANULATED WORK, ETC., 115. IOiniONS OF ( NECK S ANDMOUNTED Al STOCK-HOLM. 114. FKANKISH lUCKLE AT ST. GERMAIN 116. MUSEUM, PROBABLY ENAMELLED. GOTLAND BROOCH L\ THE COLLECTIONOF MR. JAMES CUKLE, SHOWINC; USEOF WHITE SUBSTANCE. TYPOLOGICAL STUDY and leads to a close analysis of the forms of objectswith a view to establishing among them a chrono-logical scheme of development, after the fashionin which Dr. Haakon Schetelig has recently re-viewed and classified the Cru
The arts and crafts of our Teutonic forefathers . 1 lb 113. FROM SACKKAU, WITHGRANULATED WORK, ETC., 115. IOiniONS OF ( NECK S ANDMOUNTED Al STOCK-HOLM. 114. FKANKISH lUCKLE AT ST. GERMAIN 116. MUSEUM, PROBABLY ENAMELLED. GOTLAND BROOCH L\ THE COLLECTIONOF MR. JAMES CUKLE, SHOWINC; USEOF WHITE SUBSTANCE. TYPOLOGICAL STUDY and leads to a close analysis of the forms of objectswith a view to establishing among them a chrono-logical scheme of development, after the fashionin which Dr. Haakon Schetelig has recently re-viewed and classified the Cruciform Brooches ofNorway. Another line of study is that of com-parative ornament, where the method is also typo-logical, though it is the enrichment of the objectsrather than their forms that is held in view. In view of the great extent of this field of in-vestigation, all that can be attempted here is ageneral survey and statement of the chief problemswhich it offers to the student. A glance at Map W will be useful for purposesof orientation. T
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Keywords: ., bookcentury1900, bookd, booksubjectdecorationandornamentgermanic
