. Bulletin. Ethnology. 128 BUREAU OF AMERICAlsr ETHNOLOGY [bull, so No. 59. "Why Did You Sleep?" (Catalogue No. 836) Recorded by Benson VOICE J = 80 Drum J r so Drum-rhythm similar to No. 50 ^M \i: EJT ll^^ â t â \'£ &fhiâ 5=TH- F=F=1 â1 ^m â \^ â »q âJ (ftk>^^= â L-â â *â â ; â â¢it- ^ ^ -⢠â¢^ T" â â S = = â¼*^ X^.?^ ij. -i â. (WOEDS HIDATSA, NOT TKANSCRIBED) (Free translation) maha'kuwanes!' no one expects to live long ui'liawidok are you asleep? maro'hawak I am tired out Analysis.âThis song has a compass of 14 tones and was sung with great vibrato. In structure it
. Bulletin. Ethnology. 128 BUREAU OF AMERICAlsr ETHNOLOGY [bull, so No. 59. "Why Did You Sleep?" (Catalogue No. 836) Recorded by Benson VOICE J = 80 Drum J r so Drum-rhythm similar to No. 50 ^M \i: EJT ll^^ â t â \'£ &fhiâ 5=TH- F=F=1 â1 ^m â \^ â »q âJ (ftk>^^= â L-â â *â â ; â â¢it- ^ ^ -⢠â¢^ T" â â S = = â¼*^ X^.?^ ij. -i â. (WOEDS HIDATSA, NOT TKANSCRIBED) (Free translation) maha'kuwanes!' no one expects to live long ui'liawidok are you asleep? maro'hawak I am tired out Analysis.âThis song has a compass of 14 tones and was sung with great vibrato. In structure it is harmonic, and in tone material it lacks the second and fourth tones of the octave. It is major in tonality but more than one-third of the intervals are minor thirds. The ascending minor sixth with which the song begins is unusual and is repeated in the lower octave. Like No. 58, the drum-rhythm is in a triple division, with an unaccented beat on (approximately) the third part of the Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original Smithsonian Institution. Bureau of American Ethnology. Washington : G. P. O.
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