. Barye : life and works of Antoine Louis Barye ... in memory of an exhibition of his bronzes, paintings, and water-colors, held at New York, in aid of the fund for his monument at Paris. NO. w o a ^ sa w rH -a 55 bC o Eh M as M N 5 o K « © rH o £ < XI) « rt B +r Ei ■§ £ 3 O W Eh 3 « 0 «4 0 M « oi 6 fc STUDENT OF SCULPTURE AND PAINTING would be carried through to success, if it took half a century, may beinferred from his portraits. The firm mouth which appears in thelithograph in I/Artiste by Gigoux reproduced here represents Baryeat thirty-five. The next portrait and the bust by Moulin sh
. Barye : life and works of Antoine Louis Barye ... in memory of an exhibition of his bronzes, paintings, and water-colors, held at New York, in aid of the fund for his monument at Paris. NO. w o a ^ sa w rH -a 55 bC o Eh M as M N 5 o K « © rH o £ < XI) « rt B +r Ei ■§ £ 3 O W Eh 3 « 0 «4 0 M « oi 6 fc STUDENT OF SCULPTURE AND PAINTING would be carried through to success, if it took half a century, may beinferred from his portraits. The firm mouth which appears in thelithograph in I/Artiste by Gigoux reproduced here represents Baryeat thirty-five. The next portrait and the bust by Moulin show him inmiddle-age, while the artotype after a superb oil portrait by M. Bonnatis Barye at the end of life. The mouth, which was firm enough as a boyof twenty, grows firmer as the life of the artist unrolls. About 1816 he entered the atelier of a sculptor of Italian birth calledBosio, a prime favorite with Napoleon I, whose work may be seen hereand there in Paris. He made the reliefs and Napoleon for the column onthe Place Vendome, and the chariot on the arch in the Cour du Carrousel,Louvre. Bosios animals are particularly devoid of naturalness, particu-larly conventional
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Keywords: ., bookcentury1800, bookdecade1880, bookidbaryelifewor, bookyear1889
