George AFripp and Alfred DFripp . < ^ ^ ^ I =^ Q ^ c ^ 2< u. -^ ^ pleasure he had had in voting for the two grand-sons of Nicholas Pocock, which he felt wouldprobably be his last acts in the Society, as,indeed, they were. In 1843 Fripp had hung at Suffolk StreetMay Day and Children Overtaken by a Thunder-storm; and the previous year three of hisdrawings were exhibited at that gallery—viz,^Lavinia, Sinbad and his Companion and a Studyfrom Nature, Some of his Irish themes were ofa more sentimental nature, and it is not surprisingto find that Moores Melodies were drawn uponfor one or two of
George AFripp and Alfred DFripp . < ^ ^ ^ I =^ Q ^ c ^ 2< u. -^ ^ pleasure he had had in voting for the two grand-sons of Nicholas Pocock, which he felt wouldprobably be his last acts in the Society, as,indeed, they were. In 1843 Fripp had hung at Suffolk StreetMay Day and Children Overtaken by a Thunder-storm; and the previous year three of hisdrawings were exhibited at that gallery—viz,^Lavinia, Sinbad and his Companion and a Studyfrom Nature, Some of his Irish themes were ofa more sentimental nature, and it is not surprisingto find that Moores Melodies were drawn uponfor one or two of the motives. One of theseentitled Sad Memories^ was hung at the RoyalAcademy in 1848. It was in oils, a medium inwhich at that time he occasionally practised, andit was his sole contribution to the It isbelieved that his first visit to Wales was in 1844,and a large oil painting in Glamorgan was oneof the results. The year 1844 saw seven of his chiefly Irishand Welsh figure subjects hung at Pall one of these, The
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Keywords: ., bookcentury1900, bookdecade1900, bookidgeorgeafripp, bookyear1900
