Young woman rejects old freer, Johann Theodor de Bry, after Gillis van Breen, After Dominicus Custos, After Agostino Carracci, 1596 print Mocking of the love of love of an old man for a young woman. The young woman is half on a four -poster bed and ways the old man. This touches in its hefty money pouch. Amor stands on the bed and breaks his bow in half, a reference to the fact that the old man is unable to seduce the woman. A dog for the bed. In the background a landing on which two figures, overlooking a bell tower. Emblem no. 17 in Emblemata Saecularia, 1596 and no. 38 in the second edition
Young woman rejects old freer, Johann Theodor de Bry, after Gillis van Breen, After Dominicus Custos, After Agostino Carracci, 1596 print Mocking of the love of love of an old man for a young woman. The young woman is half on a four -poster bed and ways the old man. This touches in its hefty money pouch. Amor stands on the bed and breaks his bow in half, a reference to the fact that the old man is unable to seduce the woman. A dog for the bed. In the background a landing on which two figures, overlooking a bell tower. Emblem no. 17 in Emblemata Saecularia, 1596 and no. 38 in the second edition of 1611. paper engraving Existence and Modes of Existence (+ emblematical representation of concept). one-sided courting. unsuccessful love affair; seduction. Cupid breaking his bow and/or arrows
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Photo credit: © piemags/rmn / Alamy / Afripics
License: Licensed
Model Released: No
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