Symphonies and their meaning . Oboe and Clarionet. PP V. SYMPHONIES AND THEIR MEANING while the herald-figures lapse into separation seems, somehow, drop theoretic phraseology for once, thewhole is like a continuous flow of melodywhere each phrase seems chief until it palesbefore its successor. So, after some overpowering clashes, whichpreserve the prevailing tone of delicacy andlightness from monotonous sweetness, thereglides in, borne by the cellos, the most charm-ing melody in all music: Violas. Basses, pizz. * * Melody in Cellos. =»: -S>- r delicately echoed
Symphonies and their meaning . Oboe and Clarionet. PP V. SYMPHONIES AND THEIR MEANING while the herald-figures lapse into separation seems, somehow, drop theoretic phraseology for once, thewhole is like a continuous flow of melodywhere each phrase seems chief until it palesbefore its successor. So, after some overpowering clashes, whichpreserve the prevailing tone of delicacy andlightness from monotonous sweetness, thereglides in, borne by the cellos, the most charm-ing melody in all music: Violas. Basses, pizz. * * Melody in Cellos. =»: -S>- r delicately echoed high in the violins. With all its perfect melody, and the softest and purest orchestration, the movement is full of romantic shocks and bursts, as if the essence of legendary poetry. The necessary vigor is not lacking, 196 a YMPHONIES AND THEIR MEANING nor the true relation and balance of dolce andforte. It is a mistake to view the crashingchords as mere interlude between the verses;they are quite as real a part of the poem asany other. But with all t
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Keywords: ., bookcentury1800, bookdecade1890, bookpublisherlondonjblippincott
