New Physiognomy : or signs of character, as manifested through temperament and external forms, and especially in the "the human face divine." . qualities it represents, illustrates the full il[{i(MM\ *^^^k\V\\development of the sign of Ar- i\|{B vv-^^^Rvjdent Love, both in the chin or /?;>/M l^^^S ^^^lower jaw, and in the lips. The «^^^^ v-^:^ -^- --^>ifaculty manifests itself mainly yf,^in fondling, embracing, and kis- -v / / / /sing. It is very largely devel- / ! .;f oped in the negro, and more soifi woman than in man. Men ^^ i^^--^^^^ seldom kiss and embrace each other, but in woman t
New Physiognomy : or signs of character, as manifested through temperament and external forms, and especially in the "the human face divine." . qualities it represents, illustrates the full il[{i(MM\ *^^^k\V\\development of the sign of Ar- i\|{B vv-^^^Rvjdent Love, both in the chin or /?;>/M l^^^S ^^^lower jaw, and in the lips. The «^^^^ v-^:^ -^- --^>ifaculty manifests itself mainly yf,^in fondling, embracing, and kis- -v / / / /sing. It is very largely devel- / ! .;f oped in the negro, and more soifi woman than in man. Men ^^ i^^--^^^^ seldom kiss and embrace each other, but in woman this seemsnatural and proper. The action of Love on the chin, constituting what may becalled its natural language, consists in throwing it forward, asin fig. 186, or sidewise, as in fig. 187, the former movement being the more natural to woman and the latter to man. Observe the action in our initial portrait of the love-sick Greek poetess Sappho; or better, observe the move-ments of any two lovers of to-day during a tete-d-tete, and youwill need no further illustration of this point. Here, as else-where, actions speak louder than
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Keywords: ., bookcentury1800, booksubjectphrenology, booksubjectphysiognomy
