. Colour in woven design . Fig. 37. Fig. 37a. Both systems are illustrated. The six-and-six plan, andthe styles it gives in the six-end twill, are furnished infigs. 37, 37a, and 376. The same method of weft colouringhas been practised as in previous sketches, showing thechanges resulting from varying the weft from light to dark,and from having it exactly like the warp. Fig. 38 has beenproduced in the eight-shaft twill, and is composed of 8 threadsof black and 8 threads of white in both warp and such shades as the following be used in the six-endtwill, more toned patterns ensue than
. Colour in woven design . Fig. 37. Fig. 37a. Both systems are illustrated. The six-and-six plan, andthe styles it gives in the six-end twill, are furnished infigs. 37, 37a, and 376. The same method of weft colouringhas been practised as in previous sketches, showing thechanges resulting from varying the weft from light to dark,and from having it exactly like the warp. Fig. 38 has beenproduced in the eight-shaft twill, and is composed of 8 threadsof black and 8 threads of white in both warp and such shades as the following be used in the six-endtwill, more toned patterns ensue than those supplied in theillustrations :— SIMPLE COLOURINGS. 201 I. 6 threads of slate. n » „ slate and whitetwist. threads of blue. >? „ brown. II. 6 threads of drab. o » „ drab and whitetwist. threads of No. 2 mixture, Plate threads of No. 8 mixture, Plate
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Keywords: ., bookcentury1800, bookdecade1890, booksubjectcolorin, bookyear1890
