Modern harmony, its explanation and application . Ex. 294. Pice,(sounding 8X«^ Str. STRAVINSKY,Loiseau de In Example 295, also, the mind is listening horizontally,and the momentary clashes are not noticed at all. Thecompletely similar motion in Example 296 is as interestingas it is unusual. We have a pair of fifths at the outset, whichare ambi-consonant, being taken by leap of the third, andare therefore always acceptable. After this, the intervalsvary continually, the spacing getting wider and wider, andthe whole passage carries us on to the final Tonic, in adelicious downward
Modern harmony, its explanation and application . Ex. 294. Pice,(sounding 8X«^ Str. STRAVINSKY,Loiseau de In Example 295, also, the mind is listening horizontally,and the momentary clashes are not noticed at all. Thecompletely similar motion in Example 296 is as interestingas it is unusual. We have a pair of fifths at the outset, whichare ambi-consonant, being taken by leap of the third, andare therefore always acceptable. After this, the intervalsvary continually, the spacing getting wider and wider, andthe whole passage carries us on to the final Tonic, in adelicious downward sweep as natural as the alighting ofa bird. 134 MODERN HARMONY (Angelic Chorus) Poco lento. pp^ ELGAR,Gerontius. m (Chor.) Praise. ^^^ to . be His Vice. roy in the world of £ fefeS a ^ to the |^NJV;,j, Ho . li . est- ^^m and «fsense,Up on the fronjtier towards the Ex. 296. Con moto sonnolento. MAC-DOWELL,To a Water Lily!
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Keywords: ., bookcentury1900, bookdecade1910, booksubjectharmony, bookyear1915
