Harmony, its theory and practice . final chord, andthe leading note in the tenor falling to the fifth of that chord, avery common procedure, as already said (§ 100,) with Bach. 257. The second inversion of the dominant seventh (^^7^,)has the fifth in the bass. The chord and its figuring havealready been seen in Ex. 168 {b). The rules given in ChapterVI (§§ 188, 189,) for approaching and quitting a second inver-sion apply to the second inversions of discords as well as ofconcords, and must be strictly attended to. By far the mostusual resolution of this inversion is on the tonic chord. (*) (0 {
Harmony, its theory and practice . final chord, andthe leading note in the tenor falling to the fifth of that chord, avery common procedure, as already said (§ 100,) with Bach. 257. The second inversion of the dominant seventh (^^7^,)has the fifth in the bass. The chord and its figuring havealready been seen in Ex. 168 {b). The rules given in ChapterVI (§§ 188, 189,) for approaching and quitting a second inver-sion apply to the second inversions of discords as well as ofconcords, and must be strictly attended to. By far the mostusual resolution of this inversion is on the tonic chord. (*) (0 {d) fe ^^ 4 4 US Its » 3 4 4 M-^c I y^c I 3 3 c: N^c I Y7f Ex. 179. We give examples in both a major and a minor key, to remindthe student of the difference in the figuring spoken of in § resolution of the chord is so common that one example willsuffice. Mbndblssohn. gSth Fsalm. Ex. 180. This passage being arranged from the full score, the part-writingis not clearly shown; it must not be supposed that the consecutive. ] Chord of the Dominant Seventh. i°S fifths seen in the first and second bars are in the parts cross here. Notice how at * the bass of the secondinversion is approached by leap firom the root-position of anotherchord, and moves by step to the next chord. 258. If this inversion resolve on \h^& first inversion of thetonic chord (I^), instead of on the root position, the seventh mayeither rise or fall one degree. («) {b) (.) (d) (.) Ex. 181.
Size: 2683px × 932px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1900, booksubjectharmony, bookyear1903
