Modern harmony, its explanation and application . (Vocal parts omitted.) HORIZONTAL METHODS 149 Ex. 330. I Moderate. (J=104.) BLANCHE SELVA,Cloches au soleil.(En Italic.) sin nn nil siii ^ ^ n^in^ r^n- ^ g s Ex. 331. Moderato. CYRIL SCOTT, Bells (Poems N9 3.). The Jarnefelt figure in tlie popular orchestral Pralude iscontinued almost throughout the piece, and the variations byBorodin, Rimsky-Korsakoff, LiadofP, and Cui on a httle folk-song tune treat the miniature theme in this manner. Thetheme (Example 333a) is associated with a popular childrensgame in vogue throughout the Russian Empire. Bu
Modern harmony, its explanation and application . (Vocal parts omitted.) HORIZONTAL METHODS 149 Ex. 330. I Moderate. (J=104.) BLANCHE SELVA,Cloches au soleil.(En Italic.) sin nn nil siii ^ ^ n^in^ r^n- ^ g s Ex. 331. Moderato. CYRIL SCOTT, Bells (Poems N9 3.). The Jarnefelt figure in tlie popular orchestral Pralude iscontinued almost throughout the piece, and the variations byBorodin, Rimsky-Korsakoff, LiadofP, and Cui on a httle folk-song tune treat the miniature theme in this manner. Thetheme (Example 333a) is associated with a popular childrensgame in vogue throughout the Russian Empire. But forsheer modernity, the pedal-figure in the first of Schonbergsfive orchestral pieces stands unrivalled. The resolution (?) oftt is seen at 3386. Allegro quasi Allegretto, Oboel. ARMAS JARNEFELT,Prjeludium.
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Keywords: ., bookcentury1900, bookdecade1910, booksubjectharmony, bookyear1915
