Cambridge and its story With lithographs and other illus by Herbert Railton, the lithographs being tinted by Fanny Railton . y tipped with seedsThat hung in yellow tassels, while the airStirred them, not voiceless. Often have I stoodFoot-bound, uplooking at this lovely treeBeneath a frosty moon. The hemisphereOf magic fiction verse of mine perchanceMay ne\er tread ; but scarcely Spensers selfCould ha\e more tranquil \isions in his youth,Or could more bright appearances createOf human forms with superhuman powersThan I beheld, loitering on calm clear nightsAlone, beneath the fairy-work of Earth
Cambridge and its story With lithographs and other illus by Herbert Railton, the lithographs being tinted by Fanny Railton . y tipped with seedsThat hung in yellow tassels, while the airStirred them, not voiceless. Often have I stoodFoot-bound, uplooking at this lovely treeBeneath a frosty moon. The hemisphereOf magic fiction verse of mine perchanceMay ne\er tread ; but scarcely Spensers selfCould ha\e more tranquil \isions in his youth,Or could more bright appearances createOf human forms with superhuman powersThan I beheld, loitering on calm clear nightsAlone, beneath the fairy-work of Earth. The new chapel of S. Johns, designed by Sir Gilbert Scott in a style of pointed architecture, repeating, with some added degree of richness, the same architects design of Exeter College chapel at Oxford, was begun in 1863 and finished in 1869. The scheme involved the destruction of the old chapel and the still earlier building to the north of it. The hall was enlarged by adding to it the space formerly occupied by the Masters lodge, a new lodge being built to the north of the third court, and the Masters 244 X x^i-\^. ^ >i^S SI » —I ? W-- ^-1 ?TPTi ?r^ HiWIi
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Keywords: ., bookcentury1900, bookdecade1910, booksubjectunivers, bookyear1912
