. Studio international . all who can comprehend it. F. G. VIENNA.—The Autumn Exhibition at theKiinstlerhaus was on the whole a highlyinteresting display, the chief featurebeing a number of one-man of these were devoted to masters of the oldschool—the late Siegmund LAllemand, an artist ofgreat merit whose simple honest method of treat-ment has its own peculiar charm, this beingespecially the case in regard to his drawings ofanimals; and Franz Alt, whose water-colour draw-ings are of a high artistic quality. As a draughtsmanFranz Alt, who is now a veteran of ninety or more(his more fam
. Studio international . all who can comprehend it. F. G. VIENNA.—The Autumn Exhibition at theKiinstlerhaus was on the whole a highlyinteresting display, the chief featurebeing a number of one-man of these were devoted to masters of the oldschool—the late Siegmund LAllemand, an artist ofgreat merit whose simple honest method of treat-ment has its own peculiar charm, this beingespecially the case in regard to his drawings ofanimals; and Franz Alt, whose water-colour draw-ings are of a high artistic quality. As a draughtsmanFranz Alt, who is now a veteran of ninety or more(his more famous brother, Rudolf von Alt, was overninety when he died), is of rare excellence, whilehis colouring is subtle, fresh, and one-man shows were those of RudolfBernt, Otto Herschel, Carlos Grethe, and AdolfZoff. The first-named, who is one of the oldermembers of the Genossenschaft, has lately returnedfrom Japan, where he stayed about two years. Hiswork, chiefly in water-colour, is of peculiar interest,. and then unhesitatingly62 PROCESSION IN (See i>. 61)
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