Sardinia Sassari Ardara S. Maria del Regno7. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (1170), recently restored. Typically Sardinian (influenced by Lombard and Pisan forms of the 11th century) with slender pilasters, bifora window, small decorative arches along the cornice, semi-circular apse, and short campanile. Triple aisled basilica plan. Central nave has bare, beamed ceiling while side aisles are cross vaulted; sculpted inscription from 1107. Post-medieval: Polychromatic, gilded wooden sculpture (Madonna and Child); 15/16th century pulpit. German-born photographer and schol
Sardinia Sassari Ardara S. Maria del Regno7. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (1170), recently restored. Typically Sardinian (influenced by Lombard and Pisan forms of the 11th century) with slender pilasters, bifora window, small decorative arches along the cornice, semi-circular apse, and short campanile. Triple aisled basilica plan. Central nave has bare, beamed ceiling while side aisles are cross vaulted; sculpted inscription from 1107. Post-medieval: Polychromatic, gilded wooden sculpture (Madonna and Child); 15/16th century pulpit. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
Size: 4730px × 6200px
Photo credit: © piemags/GB24 / Alamy / Afripics
License: Licensed
Model Released: No
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