Two Women Looking in Mirrors 19th century Kubo Shunman Japanese This composition is activated by a diagonal line formed by the darting gazes of the two women and the spectator. The standing woman looks at the reflection of her face while she also sees the reflection of the back of her head. Instead of looking at the mirror in her own hand, the seated woman gazes at the standing woman. Does she see her own reflection in the mirror that reflects the standing woman's coiffure? Does the standing woman also see a reflection of the seated lady as well as the back of her head? The seated lady holds a
Two Women Looking in Mirrors 19th century Kubo Shunman Japanese This composition is activated by a diagonal line formed by the darting gazes of the two women and the spectator. The standing woman looks at the reflection of her face while she also sees the reflection of the back of her head. Instead of looking at the mirror in her own hand, the seated woman gazes at the standing woman. Does she see her own reflection in the mirror that reflects the standing woman's coiffure? Does the standing woman also see a reflection of the seated lady as well as the back of her head? The seated lady holds a mirror, whose verso bears a family crest with two characters combined into a diphthong. Perhaps this wordplay mimicks the theme of overlap and duality conveyed by the use of three mirrors. The poem translates as; "If you use a mirror which reflects ancient time, that will bring you the flawless virtue of the present emperor.". Two Women Looking in Mirrors 54118
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