A new history of painting in Italy : from the II to the XVI century . e Vallemanni: Millani, 1885). He was at Fabriano from 23rd March to(ith April 1420. Cf. ZONGHI, Gentile a Fabriano ncl 1420 in Le Marche, an. vii.(1907), fasc. ii., p. 137 et seq. On Gentile in Ferrara, see VENTTJRI, / Primordi delRinascimento artistico a Ferrara in Rivista Stor. It. (Tovino, 1885), an. i., fasc. iii.] 2 Tavola alfabetica, ubi sup. It is from this register that we know the name ofGentiles father, which as stated in the text antea was Niccol6 di Giovanni date as given by MORENI, apud RICCI, Memorie,

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A new history of painting in Italy : from the II to the XVI century . e Vallemanni: Millani, 1885). He was at Fabriano from 23rd March to(ith April 1420. Cf. ZONGHI, Gentile a Fabriano ncl 1420 in Le Marche, an. vii.(1907), fasc. ii., p. 137 et seq. On Gentile in Ferrara, see VENTTJRI, / Primordi delRinascimento artistico a Ferrara in Rivista Stor. It. (Tovino, 1885), an. i., fasc. iii.] 2 Tavola alfabetica, ubi sup. It is from this register that we know the name ofGentiles father, which as stated in the text antea was Niccol6 di Giovanni date as given by MORENI, apud RICCI, Memorie, ubi sup., pp. 149 and 1G5, isincorrect. 3 ANONIMO, ubi sup., p. 57. * [No. 165.] One part of the predella, the Presentation in the Temple, is inthe Louvre, No. 202 ; an inscription at the base of the Adoration runs as follows : OPUS GENTILIS DE FABRIANO Mccccxxin MENSis MAIL The front face of aturbaned man immediately behind thel ast of the kings is engraved by Vasari asGentiles portrait. This picture is noticed by ALBERTTNT, Memoriale, ubi sup., p. 14. - ^A\» *m. •3 ifi W o W >— t CL,OS<H O H o z z H O

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