International studio . sponsible ; his poor are moretrue to life and more beautiful for notbeing at all down in the mouth. a 136 Still keeping to the same locality, Brouethas portrayed the gipsies, the pedlars, theacrobats, and the travelling circuses thathaunt these parts. And elsewhere, havinghad occasion to work with a ballet-girl asmodel, he has done a number of studies ofdancers which are distinguished alike bypurity of line and by truthfulness of vision. In treating all these subjects in theirvarious stages of progress, Brouet is notguided by any hard-and-fast , in the ca
International studio . sponsible ; his poor are moretrue to life and more beautiful for notbeing at all down in the mouth. a 136 Still keeping to the same locality, Brouethas portrayed the gipsies, the pedlars, theacrobats, and the travelling circuses thathaunt these parts. And elsewhere, havinghad occasion to work with a ballet-girl asmodel, he has done a number of studies ofdancers which are distinguished alike bypurity of line and by truthfulness of vision. In treating all these subjects in theirvarious stages of progress, Brouet is notguided by any hard-and-fast , in the case of a single figure,his sureness of hand enables him to makehis drawing direct upon the copper. Atother times—in his street scenes, forexample—he makes his composition eitherby the aid of sketches jotted down hastilyon some scrap of paper or from morefinished drawings which are in themselvescomplete works of art. Then, in attackingthe copper, he uses only very exceptionallythe mezzotint process or maniere noire ;. INTERIEUR DE COUR,AVENUE DE CLICHY. ETCH-ING BY AUGUSTE BROUET AUGUSTE BROUET, PAINTER-ETCHER
Size: 1363px × 1834px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
