The American annual of photography . the lifeis not altogether disastrously affecting her health may bejudged by a glance at Figure 5, herewith reproduced as a sub-stantial testimony to the fact. Among the many botanical negatives I made last summerI find a pretty one of the Deptford Pink (Dianthus armerica),reproduced in Figure 6, with one of our common species ofbutterflies alighting upon it. Considerable experience is required to secure accurate andpleasing results with these paints, and when I use them I amreminded of the student who stood in wonder before one ofthe canvases of Sir Joshua
The American annual of photography . the lifeis not altogether disastrously affecting her health may bejudged by a glance at Figure 5, herewith reproduced as a sub-stantial testimony to the fact. Among the many botanical negatives I made last summerI find a pretty one of the Deptford Pink (Dianthus armerica),reproduced in Figure 6, with one of our common species ofbutterflies alighting upon it. Considerable experience is required to secure accurate andpleasing results with these paints, and when I use them I amreminded of the student who stood in wonder before one ofthe canvases of Sir Joshua Reynolds, and had the temerityto ask him what he mixed his paints with; to which Sir Joshuareplied: Brains, young man, brains. Subjects for the photographic study of wildflowers—a mostimportant branch of technical work—are practically limitlessin the matter of number. To attain success, and to have theresults acceptable to science, one must skilfully work alongspecial lines; select with care and with a distinct purpose in all 96. Ira D. Schwarz.
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Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1910, bookpublishernewyo, bookyear1919
