. How to sing : a complete treatise on singing with practical illustrations and diagrams. WT+ f g a J> c c d e f g a A o. UpperThick 4* x ^ Lower Upper SmaJJTKiiv Thirv The horizontal dotted lines denote the forced tones. The upright dotted lines denote the limits of the registers. The cones <^ denote the volume of tone in each register at any given point. The majority of modern teachers recognise several intermediatequalities which they refer to as medium, falsetto and small voice. Thetwo latter, being at the extreme limit of the male and female voicesrespectively, are viewed with a cer
. How to sing : a complete treatise on singing with practical illustrations and diagrams. WT+ f g a J> c c d e f g a A o. UpperThick 4* x ^ Lower Upper SmaJJTKiiv Thirv The horizontal dotted lines denote the forced tones. The upright dotted lines denote the limits of the registers. The cones <^ denote the volume of tone in each register at any given point. The majority of modern teachers recognise several intermediatequalities which they refer to as medium, falsetto and small voice. Thetwo latter, being at the extreme limit of the male and female voicesrespectively, are viewed with a certain amount of suspicion, beingfrequently set aside as hardly worthy of cultivation, especially by thatclass of vocalist who considers volume and velocity the chief aim ofa singers existence. However, there they are ; important elements inthe vocal art, and we have a right to consider their merits, naturalas well as acquired. 32 Hoiv to Sing. The mention of sex draws one for a moment to a comparison otthe male and female voices, and their individual characteristics. In themale voice, we recognise the lower thick or che
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectsinging, booksubjectv
