Whose Sleeves? (Tagasode) (right screen) late 16th–early 17th century; (left screen) early to mid-17th century Japan The suggestive title of this type of screen—“Whose Sleeves?,” or Tagasode—points to its provocative nature. The viewer is invited to speculate over who owns these gorgeous robes. Such screens omit human figures and represent only the robes, personal accessories, and furniture of the owners. However, even if a garment of a particular period is accurately depicted on the screen it may not be synchronous with the painting’s date of phrase “Whose Sleeves?” is found in

Whose Sleeves? (Tagasode) (right screen) late 16th–early 17th century; (left screen) early to mid-17th century Japan The suggestive title of this type of screen—“Whose Sleeves?,” or Tagasode—points to its provocative nature. The viewer is invited to speculate over who owns these gorgeous robes. Such screens omit human figures and represent only the robes, personal accessories, and furniture of the owners. However, even if a garment of a particular period is accurately depicted on the screen it may not be synchronous with the painting’s date of phrase “Whose Sleeves?” is found in classical love poems and was not commonly used to refer to this type of screen until the late nineteenth century. Yet, by the early seventeenth century, representations of clothing stands (ik?-zu) with lavish garments appear in painted handscrolls and woodblock-printed books. Similar compositions were also published in etiquette books for women as guides for how to display garments that were part of their dowry. Actual garments draped over stands could serve as space dividers or interior decoration in premodern Japan, and “Whose Sleeves?” screens could have been used in the same way. Listen to experts illuminate this artwork's story Listen Play or pause #8895. Whose Sleeves? (Tagasode) Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as Whose Sleeves? (Tagasode). Japan. (right screen) late 16th–early 17th century; (left screen) early to mid-17th century. Pair of six-panel folding screens; ink, color, and gold on gilt paper. Momoyama (1573–1615)–Edo period 1615–1868). Screens

How we Work

Contribute

Legal

Contact Us