Art in America; a critical and historical sketch . ??.??? :?? Bill .5-^Qp* .^•|> ImM - ; ?. FANNY KIMBLE. [THOMAS SULLY.] Mnun will be longest and best remembered by his vivid and characteristic paint-ing of Patrick Lyon, the blacksmith, at his forge. This picture now hangsin the elegant gallery of the Philadelphia Academy of Fine Arts, whereseveral of the masterpieces of our early painters may be seen hangingin company with it, among them Wests Christ Rejected, YanderlynsAriadne, and Allstons Dead Man Restored to Life. Born the year of the Declaration of Independence, John m
Art in America; a critical and historical sketch . ??.??? :?? Bill .5-^Qp* .^•|> ImM - ; ?. FANNY KIMBLE. [THOMAS SULLY.] Mnun will be longest and best remembered by his vivid and characteristic paint-ing of Patrick Lyon, the blacksmith, at his forge. This picture now hangsin the elegant gallery of the Philadelphia Academy of Fine Arts, whereseveral of the masterpieces of our early painters may be seen hangingin company with it, among them Wests Christ Rejected, YanderlynsAriadne, and Allstons Dead Man Restored to Life. Born the year of the Declaration of Independence, John most of the leading artists of this period of whom we are to old age. His days were filled with hardships and vicissitudes: 30 ART IN AMERICA. and, unless he has since become aware of the fame lie left behind, he wasone of many to whom life has been a very questionable boon. Vanderlyn was a farmers boy on the Hudson River. It was one ofthose curious incidents by which Destiny sometimes makes us think there
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Keywords: ., boo, bookcentury1800, bookdecade1880, booksubjectart, bookyear1880
