. A history of architecture in Italy from the time of Constantine to the dawn of the renaissance. i?ig. 178. 8. AI)l)(»ii(lio. (, OHIO. \\ ludow 111 Apse, TIIK HYZANTINK INFIJKNCK 241 eolunms. ilic corniit^ is small and simple, and alxivc it is a scries ofnine giibloH liko ilornicr facHs, connected hy small open arelK^s, and •^v^.^\^A \\P 7;. Fig. 170. Sta. Maria in Valle. Cividale. •J4J ARCHITPXTURE IN ITALY each ornamented with a round-headed panel of white or coloredmarble. The pavilions whii*li terminate these arcades are of threestories, the first ^ory having three arched windows, the oth
. A history of architecture in Italy from the time of Constantine to the dawn of the renaissance. i?ig. 178. 8. AI)l)(»ii(lio. (, OHIO. \\ ludow 111 Apse, TIIK HYZANTINK INFIJKNCK 241 eolunms. ilic corniit^ is small and simple, and alxivc it is a scries ofnine giibloH liko ilornicr facHs, connected hy small open arelK^s, and •^v^.^\^A \\P 7;. Fig. 170. Sta. Maria in Valle. Cividale. •J4J ARCHITPXTURE IN ITALY each ornamented with a round-headed panel of white or coloredmarble. The pavilions whii*li terminate these arcades are of threestories, the first ^ory having three arched windows, the others foureacli. These openings are similar in form and decoration to those ofthe central arcades, but smaller. The frieze above the second storywindows is ornamented in eacli pavilion with four panels of marblewith bas-reliefs, and this decoration is repeated above the thirdstory window. The only other houses of this period and style which ])reserve inany considerable degree their original ai)pearance are two which ad-join each other on the Grand Canal, not far below the bridge of theKialto — the Casa Loredan and the Casa Farsetti. Both have beenencumbered by Renaissance additions above the original archi-tecture, but below these the forms are not substantiallyvi •v-v-^S^^-^^ changed. The two buildinos are very similar to? iSv^
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectarchite, bookyear1901
