. International studio. ly with other groups of exhibits, inalmost all of which able craftsmen havebeen at work. Swedish glass deserves itshigh repute, and the large Porcelain works,Rorstrand, to which I have already referred,and Gustafsberg, of which Mr. Gunnar Wen-nerberg, a charming painter, is the artisticleader, are working energetically ahead,although in this field Sweden cannot yet viewith Denmark. The same remark, as faras I could see, applies to the craft of thegoldsmith and silversmith ; there certainlywere many meritorious exhibits, but theyhave not had in Sweden such an eminentlygi
. International studio. ly with other groups of exhibits, inalmost all of which able craftsmen havebeen at work. Swedish glass deserves itshigh repute, and the large Porcelain works,Rorstrand, to which I have already referred,and Gustafsberg, of which Mr. Gunnar Wen-nerberg, a charming painter, is the artisticleader, are working energetically ahead,although in this field Sweden cannot yet viewith Denmark. The same remark, as faras I could see, applies to the craft of thegoldsmith and silversmith ; there certainlywere many meritorious exhibits, but theyhave not had in Sweden such an eminentlygifted and original draughtsman within thissphere as Denmark had in the late ThorvaldBindesbbll. The more old-fashioned system of crowd-ing a number of more or less hetero-geneous articles into one large hall hasbeen entirely discarded at the Stockholm cabinet in polished inlaid mahogany T^ , . . DESIGNED BY R. OSTMAN, ARCHITECT ?fc-xhibition, where a series of smaller com- executed by nordiska moblerings aktiebolaget. 2i: Stitdio- Talk
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