. English ironwork of the XVIIth & XVIIIth centuries; an historical & analytical account of the development of exterior smithcraft. FIG. 124. EXTINGUISHER FORMERLY IN SPRING GARDENS. Fhite rXXX\ flniffliniEf [ PAIR OF LAMP HOLDIiKS IN JOHN STREET, Adiims Bmilters. Lamp-Holders 281 a pattern of vesica over honeysuckle and fan. No less richbut of slender classic lyre outline, with honeysuckle, scrolls,and rosettes, (Plate lxxiii) are those to Chandos House atthe east end of Queen Street, Cavendish Square (page 244).Those to Sir Watkyn Wynnes house, also designed by RobertAdam (page
. English ironwork of the XVIIth & XVIIIth centuries; an historical & analytical account of the development of exterior smithcraft. FIG. 124. EXTINGUISHER FORMERLY IN SPRING GARDENS. Fhite rXXX\ flniffliniEf [ PAIR OF LAMP HOLDIiKS IN JOHN STREET, Adiims Bmilters. Lamp-Holders 281 a pattern of vesica over honeysuckle and fan. No less richbut of slender classic lyre outline, with honeysuckle, scrolls,and rosettes, (Plate lxxiii) are those to Chandos House atthe east end of Queen Street, Cavendish Square (page 244).Those to Sir Watkyn Wynnes house, also designed by RobertAdam (page 243), on the west side of St. James Square(Fig. 87) have, unfortunately, been removed in the course ofalterations, but the original design is preserved in the SoaneMuseum. Good lamp supports remain, however, to WinchesterHouse next door, of 3 bars, the two outer being scrolled, andforming an obelisk, united by collars and balls, A fine series risefrom the railings of the large house occupied by Princess AmeMa atthe corner of Cavendish Square and Harley Street, of an elongatedclassic lyre shape filled in with a lozenge design supported on scrolls,delicately worked and enriched. A no less ex
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Keywords: ., bookcentury1900, bookdecade1910, bookpub, booksubjectarchitecture
