Complete theoretical and practical piano forte school : from the first rudiments of playing to the highest and most refined state of cultivation with the requisite numerous examples newly and expressly composed for the occasion, opera 500 . s, in which we are allowed to completely abandon the ex-act movement, and where consequently a sort of caprice may find a place, regarding*which we shall speak more fully hereafter. Exercises ojv Time. §19. The Pupil must practise for several days these Exercises on Time in the fol-lowing* different ways. Both the Pupil and the Teacher must count them
Complete theoretical and practical piano forte school : from the first rudiments of playing to the highest and most refined state of cultivation with the requisite numerous examples newly and expressly composed for the occasion, opera 500 . s, in which we are allowed to completely abandon the ex-act movement, and where consequently a sort of caprice may find a place, regarding*which we shall speak more fully hereafter. Exercises ojv Time. §19. The Pupil must practise for several days these Exercises on Time in the fol-lowing* different ways. Both the Pupil and the Teacher must count them tog-ether aloud. 2b The Pupil must count them aloud, while the Teacher marks them with his hand,gently and visibly only. The Pupil must not count, and the Teacher will count the time, at first aloud,and then softly. 3l52 123 Pupil must play them without either counting-or beating- time. &]y Lastly, The Teacher should himself play these Exercises, while the Pupil countsaloud and also marks the time with his hand. §20. If the Pupil has g-ot a Metronome, he may practise them gradually in the move-ments indicated by the following- numbers, J« 80, 84, 88,92, 100, and so on, fromnumber to number, to j _?== 144. iLi + i. ^jittfum
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Keywords: ., bookcentury1800, bookdecade1830, booksubjectpiano, bookyear1839
