The masterpieces of the Centennial international exhibition of 1876 .. . he first, asa child, looking up with veneration at a bust of Homer, to which his fatherpoints as a model. The second shows him in the woods, reclining in a medi-tative attitude under the trees. Between the first and second of these medallionpictures is a portrait of tb* ooet, laurel-crowned. Above this, the lyre for verse ; and beneath, the most primitive printing-press, for his connec-tion for over half a centurv with tlie New York Evening Post. In a smaller !76 THE JNTERXATIOXAL EXHIJUl lOX, iSiO. medallion i
The masterpieces of the Centennial international exhibition of 1876 .. . he first, asa child, looking up with veneration at a bust of Homer, to which his fatherpoints as a model. The second shows him in the woods, reclining in a medi-tative attitude under the trees. Between the first and second of these medallionpictures is a portrait of tb* ooet, laurel-crowned. Above this, the lyre for verse ; and beneath, the most primitive printing-press, for his connec-tion for over half a centurv with tlie New York Evening Post. In a smaller !76 THE JNTERXATIOXAL EXHIJUl lOX, iSiO. medallion is thewaterfowl, usedby Mr. Bryantas an emblemof faith, andintroduced forthat reason asthe key-note ofhis ornamentaround the low-er part of thevase is of theIndian corn,with a singleband of cotton-leaves, and atthe foot is thewater-lily, em-blematic of elo-quence, for ora-tory. The han-dies are in har-mon) with thegeneral outline,but subordinateto it, and as hu-mor is a subor-dinate elementin Mr. Bryantswritings, it issuggested hereby the Ameri-. Tht Bryant : Tijfiiny i CiK, Xt~U yi>ri. can bob-olinkfor the humor-ous poem ofT-lobert of Lin-coln. The twogreat Americanstaples are in-troduced tocomplete theornamentationof the handles—the stalk, leafand grain of theIndian corn onthe inside, andthe bud, llowerand ripened bollof the cotton onthe outside. Onthe base whichsupports thevase is the lyrefor verse, whichwith the brokenshackles pointto Mr. Bryantsservices in thecause of Eman-cipation. The design-er has intro-duced symbolsfrom nature, asthe fittest means INDUSTRIAL ART. -77 of illustrating the life of an author whose writings teem with symbols drawnfrom the same source, and has intended to bring unity out of elaborate detail. Q 1 W ^
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Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade1870, bookpublisherphila, bookyear1876
