. Rembrandt : his life, his work, and his time. A LANUSCAMi;, WITH A COTTAGt AND A OUTCH HAYBAKN. 1641 (B. CHAPTER XIV SASKIAS last illness—HER WILL—HER DEATH—THE EFFECT PRODUCED BY THE NIGHT WATCH PICTURES OF THIS PERIOD : HOLY FAMILIES BATHSHEBA THE WOMAN TAKEN IN ADULTERY PORTRAIT OF ELIZABETH BAS ETCHINGS FROM 1643 TO 1645 — LANDSCAPE STUDIES—THE THREE T PORTRAIT OF REMBRANDT WITHA FUR CAP AND LIGHT DRESS. HE NigJit Watch was finished in theearlier part of 1642. The year before,the happiness of Rembrandt and hiswife had been crowned by the birth of a was baptise
. Rembrandt : his life, his work, and his time. A LANUSCAMi;, WITH A COTTAGt AND A OUTCH HAYBAKN. 1641 (B. CHAPTER XIV SASKIAS last illness—HER WILL—HER DEATH—THE EFFECT PRODUCED BY THE NIGHT WATCH PICTURES OF THIS PERIOD : HOLY FAMILIES BATHSHEBA THE WOMAN TAKEN IN ADULTERY PORTRAIT OF ELIZABETH BAS ETCHINGS FROM 1643 TO 1645 — LANDSCAPE STUDIES—THE THREE T PORTRAIT OF REMBRANDT WITHA FUR CAP AND LIGHT DRESS. HE NigJit Watch was finished in theearlier part of 1642. The year before,the happiness of Rembrandt and hiswife had been crowned by the birth of a was baptised in the Zuider Kerk, Septem-ber 22, 1641, by the name of Titus, in memoryof Saskias sister Titia, who died at Fhishingon June 16 of the same year. Rembrandtstwo brothers-indaw, Copal and Van Loo, werepresent at the christening, together with AeltgenPeters, Sylvius widow. From this time for-ward Saskias strength declined rapidly. Weknow from the etchings that in 1639 she hadgrown thin and ailing, and that her radiant expression had givenplace to an air of mournful foreboding. If we are to accept thetestimony of the so-called Portrait of Saskia, dated 1641, in theDresden Gallery (No. 1562 in the catalogue), she must have recoveredfor a while. The strongly illuminated face that confronts the spec-tator in this portrait beams with health ; the cheeks are round andblooming
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Keywords: ., bookcentury1900, bookdecade1900, bookpublishernewyo, bookyear1903
